Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.  Related Paintings of Jacopo Pontormo :. | Martyrdom of St Maurice and the Theban Legion | Portrat des Niccolo Ardinghelli | Noli me tangere | Portrait of a Lady in Red | Anbetung der Heiligen Drei Konige |
Related Artists:
Jose Aparicio Inglada
1770-1838 Spain. b Alicante, 1770; d Madrid, 1838
Antonin Hudecek
Czechoslovakian, 1872-1941
Circle of Mateo Cerezo the Younger
painted Immaculate Virgin, formerly in the Chapel of Palacio de Penaranda, Spain in 17th century